Watersheds II

Inspired by the poems of their father, the late Tom Bowker, sisters Julie Evans and Helen Cresswell invited 30 artists, including Stephanie Province, to join them in creating a visual response to his powerful words.  This exhibition was on display at the Storey Gallery, Lancaster and followed on from the success of Watersheds – Mountains and Moments in Time which took place in the same gallery in 2023.

Visitors were treated to a memorable celebration of words and images encompassing a range of responses and techniques.  Each artwork reflected an individual creative journey and provided a very personal interpretation of Bowker’s words.

 

Cairns 

by Tom Bowker

Some cairns are built
Of stone patiently garnered
And skilfully set.
Built to a plan
In a fellman’s head,
To stand,
Straight as a Sergeant Man.
Some Cairns are cock-eyed.
Stacked by cowboy cairn-builders
Too impatient to seek,
Or balance, the nifty rock.
Peak-baggers probably,
With an eye to the main top.
Some cairns are collapsed cones.
Tumbled under the weight
Of randomly picked and piled stones
By walkers who have heard some talk
Of, “Always add a stone to cairns
Passed on your walk”.
This is heresey,
Cairns should not confuse
But clarify.
Better a single, frost-fronded cairn
Ghosting out of the white-out
At the beck of map and compass,
Than a huddle of cairns on a hause.
The summit cairn – 
A modest Grail
This stack of lichened stones,
Given substance by aching calves,
A thumping heart,
A colour slide,
A list ticked,
A notebook’s scrawl,
Another shoal of views
Swept in memory’s leaky trawl.

Cans

by Stephanie Province
(inspired by Tom Bowker’s poem ‘Cairns’) 

Top and side view


In ancient times, stone heaps were either piled over a grave or built as a guide in the landscape, helping people find their way in areas with few natural markers.  If you come across a cairn whilst out walking, you can be sure that you are not the first visitor – someone has been here before.

There are over one hundred discarded drink cans in this sculpture – all found whilst out walking in non-residential areas – beach, field, woods or marsh.  These items of litter were frequently misshapen or squashed and often full of mud, sand and small creatures.

I took them back to my studio where I bathed and painted each one before bringing them together to create this sculpture.

The Map Worm 

by Tom Bowker

No one who can read a map need grow old.
I’m a map worm.
I read maps Like I read books, to mine the
treasures in them.
But not road maps, or town and city maps,
disciplined, stood to attention maps.
Far rather I would spread across the table
an unruly map.
A map whose grid squares are clotted with
hachures
Or ringed with contours as tight and numerous
as the rings on the forlorn stump of a felled sequoia.
Mark that spell – here be wild mountain country.

Now, like me, my maps are worn by age, weather and use.
Most lack covers, their folds are tissue thin,
part easily and open on holes not corners.
Tucked inside them are hours of reading
and day dreaming about mountain country
and mountain dreamers.

When I crackle them across the table
from them falls old peat, heather and grass.
And when I take a sybaritic sniff
of this desiccated mountain snuff
those dreams come alive again.
Across the dark screen of my closed eyelids pass
a multitude of mountains climbed.
Albion’s glorious diversity of hills, and Alpine crests
like the folded wings of Earth.
A gang of gritty northern lads and bonny northern girls,
all crag mates, hill mates.

On a sunset Lakeland fell I kiss a girl.
The first of a lifetime’s kisses.
On the same hill I hold our child’s hot hand
whilst humping another upon my back.
I gasp round the Yorkshire Three Peaks chasing our
gangling grandson’s gallop.

All these riches from a shelf of battered maps.
I am still a map worm, still read maps,
still mine treasures from them,
still tuck fresh dreams into their worn folds.
I am an old man but I can read maps.

 

I am here, you are here

by Stephanie Province
(Inspired by Tom Bowker’s poem ‘The Map Worm’)

Within ‘The Map Worm’ we discover overlaps, meeting points and connections where the physical matter (old peat, heather and grass), true life experiences and relationships become integrated within the map itself. The maps Bowker refers to merge with the territory and are filled with treasures and dreams.

Making this artwork, was an opportunity to explore the landscape of my day to day life. By incorporating materials and objects found on my daily walks, I explored my local environment through a combination of matter and coordinates and found a way to merge the bigger picture with the smaller one.  Each grid square can be considered as an individual but also as part of a whole. 

A new collection of Tom Bowker’s poems, along with photographs and sketches from the the family archive was published in 2024 to accompany the exhibition.  This book is now part of the National Poetry Library and is accessible worldwide for people to enjoy. 

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